The origins of premium television fiction in Spain. Canal+ and its evolution towards new ways of production and distribution as Movistar+

dc.centroFacultad de Ciencias de la Comunicación
dc.contributor.authorGutiérrez-Lozano, Juan Francisco
dc.contributor.editorBarra, Luca
dc.contributor.editorScaglioni, Massimo
dc.date.accessioned2026-01-22T19:36:53Z
dc.date.issued2020
dc.departamentoPeriodismo
dc.descriptionhttps://authorservices.taylorandfrancis.com/frequently-asked-questions/open-access-books-faq/
dc.description.abstractThe transformations that the Spanish audio-visual market has experienced in recent decades find in Canal+ España an example that, given the growth of the company, illustrates two of the most significant changes occurred. The first concerns technology itself; the second refers to the increase in the production of original fiction, which has been referred to as the “boom” of Spanish productions. Although paid television was launched in Spain back in 1990, Canal+ Spain invested little in original fiction since. In 2015, Canal+ was taken over by Telefónica, a leading telco, and now, renamed Movistar+, is the undeniable leader in the pay television market. The chapter spotlights how all these changes have affected the main titles of fiction produced and planned by this platform. The entry of new competitors in Spain since 2015 triggered the commission of new abundant original production, branded as “Originales Movistar+”. Through a description of the main characteristics of its “prestige” fiction between 2017–2019, the chapter details how this national case is a prominent example of the transition towards a new global market for the production and circulation of top-quality original fiction.
dc.description.sponsorshipMinisterio de Ciencia e Innovación. Gobierno de España
dc.identifier.citationGutiérrez-Lozano, J.F. (2020) ‘The origins of premium television fiction in Spain. Canal+ and its evolution towards new ways of production and distribution as Movistar+’, in: Barra, L. & Scaglioni, M. A European Television Fiction Renaissance: Premium Production Models and Transnational Circulation. Routledge, pp. 213 -226
dc.identifier.doi10.4324/9780429326486-20
dc.identifier.issn978-0-367-34540-2
dc.identifier.urihttps://hdl.handle.net/10630/44740
dc.language.isoeng
dc.publisherRoutledge
dc.relation.projectIDinfo:eu-repo/grantAgreement/AEI/Plan Estatal de Investigación Científica y Técnica y de Innovación 2013-2016/CSO2017-85483-R/ES/NUEVOS CONSUMOS FRENTE A VIEJOS ESTEREOTIPOS: ANALISIS DE LA RECEPCION POR PARTE DE LA JUVENTUD ESPAÑOLA DE SUS REPRESENTACIONES TELEVISIVAS ACTUALES/
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internationalen
dc.rights.accessRightsopen access
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectIndustria audiovisual - España
dc.subject.otherTelevision
dc.subject.otherPlatforms
dc.subject.otherMovistar+
dc.subject.otherCanal+
dc.subject.otherSpain
dc.titleThe origins of premium television fiction in Spain. Canal+ and its evolution towards new ways of production and distribution as Movistar+
dc.typebook part
dc.type.hasVersionAM
dspace.entity.typePublication
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relation.isAuthorOfPublication.latestForDiscoverye0e0e273-ed6f-4e6d-b38d-dce27aa86af7

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