Lucy, Lydia and Lilith: Sensation Fiction, Painting, and Hair.

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dc.centroFacultad de Filosofía y Letrases_ES
dc.contributor.authorHueso-Vasallo, Manuel
dc.date.accessioned2025-06-05T11:21:02Z
dc.date.available2025-06-05T11:21:02Z
dc.date.issued2018
dc.departamentoFilología Inglesa, Francesa y Alemanaes_ES
dc.description.abstractIn this paper I explore the relationship between Sensation fiction and Pre-Raphaelite painting manifestations through the multi-layered dialogue some paintings, especially Rosetti’s Bocca Baciata (1859), with two of the most popular Sensation novels: Mary Elizabeth Braddon’s Lady Audley’s Secret (1862) and Wilkie Collins’ Armadale (1864-6). This dialogue, I argue, was based on the depiction of women’s bodies and hair.es_ES
dc.identifier.urihttps://hdl.handle.net/10630/38892
dc.language.isoenges_ES
dc.relation.eventdate7-9 noviembre 2018es_ES
dc.relation.eventplaceCórdobaes_ES
dc.relation.eventtitle42nd AEDEAN Conference - 2018es_ES
dc.rights.accessRightsopen accesses_ES
dc.subjectLiteratura inglesa - S. XIXes_ES
dc.subjectCollins, Wilkie - Crítica e interpretaciónes_ES
dc.subject.otherSensation fictiones_ES
dc.subject.otherBody studieses_ES
dc.subject.otherVictorian Literaturees_ES
dc.subject.otherWilkie Collinses_ES
dc.titleLucy, Lydia and Lilith: Sensation Fiction, Painting, and Hair.es_ES
dc.typeconference outputes_ES
dspace.entity.typePublication

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