Gender Performance and Spatial Negotiation in the Neo-Victorian Novel
| dc.centro | Facultad de Filosofía y Letras | es_ES |
| dc.contributor.author | Pettersson, Lin Elinor | |
| dc.date.accessioned | 2024-02-09T17:03:29Z | |
| dc.date.available | 2024-02-09T17:03:29Z | |
| dc.date.issued | 2014 | |
| dc.departamento | Filología Inglesa, Francesa y Alemana | |
| dc.description.abstract | The present volume examines Judith Butler's concept of gender performance in Angela Carter's Nights at the Circus (1984), Sarah Waters's. Tipping the Velvet (1998) and Peter Ackroyd's. Dan Leno and the Limehouse Golem (1994). All of them depict how female performers make use of the stage to expose gender identity as an act performance and in doing so they destabilise the public/private dichotomy | es_ES |
| dc.description.sponsorship | HUM-858 Literaturas Contemporáneas En El Ámbito Europeo | es_ES |
| dc.identifier.isbn | 978-84-9747-743-7 | |
| dc.identifier.uri | https://hdl.handle.net/10630/30336 | |
| dc.language.iso | eng | es_ES |
| dc.publisher | Universidad de Málaga | es_ES |
| dc.rights.accessRights | metadata only access | es_ES |
| dc.subject | Performance (Arte) | es_ES |
| dc.subject.other | Gender Performance | es_ES |
| dc.subject.other | Neo-Victorianism | es_ES |
| dc.subject.other | Judith Butler | es_ES |
| dc.subject.other | London in literature | es_ES |
| dc.subject.other | Sarah Waters | es_ES |
| dc.subject.other | Peter Ackroyd | es_ES |
| dc.subject.other | Angela Carter | es_ES |
| dc.subject.other | Music Hall | es_ES |
| dc.title | Gender Performance and Spatial Negotiation in the Neo-Victorian Novel | es_ES |
| dc.type | book | es_ES |
| dc.type.hasVersion | VoR | es_ES |
| dspace.entity.type | Publication | |
| relation.isAuthorOfPublication | b19c76d0-ba6c-45de-8501-2fbe178cd1dc | |
| relation.isAuthorOfPublication.latestForDiscovery | b19c76d0-ba6c-45de-8501-2fbe178cd1dc |
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