Mapping monophonic midi tracks to vibrotactile stimuli using tactile illusions.

dc.centroE.T.S.I. Informáticaes_ES
dc.contributor.authorRemache-Vinueza, Byron
dc.contributor.authorTrujillo-León, Andrés
dc.contributor.authorClim, Maria-Alena
dc.contributor.authorSarmiento-Ortiz, Fabián
dc.contributor.authorTopon-Visarrea, Liliana
dc.contributor.authorRefsum Jensenius, Alexander
dc.contributor.authorVidal-Verdú, Fernando
dc.date.accessioned2025-01-21T08:22:15Z
dc.date.available2025-01-21T08:22:15Z
dc.date.issued2022-08-18
dc.departamentoElectrónica
dc.descriptionhttps://www.springernature.com/gp/open-science/policies/book-policieses_ES
dc.description.abstractIn this project, we propose an algorithm to convert musical features and structures extracted from monophonic MIDI files to tactile illusions. Mapping music to vibrotactile stimuli is a challenging process since the perceptible frequency range of the skin is lower than that of the auditory system, which may cause the loss of some musical features. Moreover, current proposed models do not warrant the correspondence between the emotional response to music and the vibrotactile version of it. We propose to use tactile illusions as an additional resource to convey more meaningful vibrotactile stimuli. Tactile illusions enable us to add dynamics to vibrotactile stimuli in the form of movement, changes of direction, and localization. The suggested algorithm converts monophonic MIDI files into arrangements of two tactile illusions: ``phantom motion'' and ``funneling''. The validation of the rendered material consisted of presenting the audio rendered from MIDI files to participants and then adding the vibrotactile component to it. The arrangement of tactile illusions was also evaluated alone. Results suggest that the arrangement of tactile illusions evokes more positive emotions than negative ones. This arrangement was also perceived as more agreeable and stimulating than the original audio. Although musical features such as rhythm, tempo, and melody were mostly recognized in the arrangement of tactile illusions, it provoked a different emotional response from that of the original audio.es_ES
dc.description.sponsorshipSupported by the Spanish Government under contract PID2021-125091OB-I00.es_ES
dc.identifier.citationByron Paul Remache Vinueza; Andrés Trujillo León; Maria-Alena Clim; Fabián Sarmiento Ortiz; Liliana Topon Visarrea; Alexander Refsum Jensenius; Fernando Vidal Verdú. Mapping Monophonic MIDI Tracks to Vibrotactile Stimuli Using Tactile Illusions. 11th International Workshop on Haptic and Audio Interaction Design HAID 2022. Queen Mary University. 2022. Reino Unido.es_ES
dc.identifier.doi10.1007/978-3-031-15019-7_11
dc.identifier.urihttps://hdl.handle.net/10630/36602
dc.language.isoenges_ES
dc.publisherSpringeres_ES
dc.relation.eventdate25/08/2022es_ES
dc.relation.eventplaceLondon, Reino Unidoes_ES
dc.relation.eventtitle11th International Workshop, HAID 2022es_ES
dc.rights.accessRightsopen accesses_ES
dc.subjectTactoes_ES
dc.subjectPsicología fisiológicaes_ES
dc.subjectBiosensoreses_ES
dc.subject.otherAudio tactile renderinges_ES
dc.subject.otherMIDIes_ES
dc.subject.otherMonophonic musices_ES
dc.subject.otherTactile illusiones_ES
dc.subject.otherVibrotactile stimulies_ES
dc.titleMapping monophonic midi tracks to vibrotactile stimuli using tactile illusions.es_ES
dc.typeconference outputes_ES
dspace.entity.typePublication
relation.isAuthorOfPublication432afce4-efe5-4869-9795-44e950cedd88
relation.isAuthorOfPublication4d5646a9-1513-4a47-86e7-1c7d494066d8
relation.isAuthorOfPublication.latestForDiscovery432afce4-efe5-4869-9795-44e950cedd88

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