RT Journal Article
T1 Post Wow, is Less More? A Critical Approach to Animated Mapped Projection for Art Historical Knowledge Sharing. The Twentieth-Century Mural as a Case Study.
A1 Crespillo Marí, Leticia
A1 Farré Torras, Begoña
A1 Soares, Marta
K1 Arte digital
AB This paper critically considers digital curatorial practices, increasingly used both in commercial and museum settings, involving the animated mapped projection of digitised works of art. It draws attention to the problematic and common misuse of the term ‘immersive’ to designate such practices and examines their effectiveness for art historical knowledge sharing and meaning making. Through first-hand observation of a number of such exhibits, the paper considers the lessons that can be learned from them and how they would specifically apply to a corpus of twentieth-century frescoes that make up the study object of a research project on art historical digital curatorship.
PB Edizioni Ca’ Foscari (Venice Centre for Digital and Public Humanities (VeDPH))
YR 2024
FD 2024-07-16
LK https://hdl.handle.net/10630/39690
UL https://hdl.handle.net/10630/39690
LA eng
NO Farré Torras, B.; Crespillo Mari, L.; Soares, M. (2024). “Post Wow, is Less More? A Critical Approach to Animated Mapped Projection for Art Historical Knowledge Sharing. The Twentieth-Century Mural as a Case Study”. magazén, 5(1), [1-24] 149-172.
NO Portuguese national funds through FCT – Foundation for Science and Technology.
NO Portuguese national funds through FCT – Foundation for Science and Technology.
DS RIUMA. Repositorio Institucional de la Universidad de Málaga
RD 19 ene 2026