2026-05-27T06:13:55Zhttps://riuma.uma.es/rest/oai/request

oai:riuma.uma.es:10630/166982026-02-03T11:53:36Zcom_10630_2254col_10630_37959

González-Román, María del Carmen 2018-10-26T10:30:26Z 2018-10-26T10:30:26Z 2018-10-26 https://hdl.handle.net/10630/16698 This paper aims to analyse the presence of a motif from the Flemish repertoire of the grotesque in the configuration of a unique type of anthropomorphic support used in the ephemeral architecture erected on Philip II of Spain’s entry into Antwerp in 1549. The support consists of a figure that, resembling an atlante or a caryatid, supports a cornice, but whose peculiarity is that the body is partially embedded in the surface of the façade, fulfilling a more decorative function than strictly tectonic. The development of this analysis is based on the concept of visual culture, but this approach also constitutes an attempt for developing a virtual reconstruction of this particular motif in its artistic context. eng open access Perspectiva Grotesque and Scenography. Virtual reconstruction of anthropomorphic supports within the entry of Philip II in Antwerp (1549) conference output