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      <dc:title>Grotesque and Scenography. Virtual reconstruction of anthropomorphic supports within the entry of Philip II in Antwerp (1549)</dc:title>
      <dc:creator>González-Román, María del Carmen</dc:creator>
      <dc:subject>Perspectiva</dc:subject>
      <dc:description>This paper aims to analyse the presence of a motif from the Flemish repertoire of the grotesque in the configuration of a unique type of anthropomorphic support used in the ephemeral architecture erected on Philip II of Spain’s entry into Antwerp in 1549. The support consists of a figure that, resembling an atlante or a caryatid, supports a cornice, but whose peculiarity is that the body is partially embedded in the surface of the façade, fulfilling a more decorative function than strictly tectonic. The development of this analysis is based on the concept of visual culture, but this approach also constitutes an attempt for developing a virtual reconstruction of this particular motif in its artistic context.</dc:description>
      <dc:date>2018-10-26T10:30:26Z</dc:date>
      <dc:date>2018-10-26T10:30:26Z</dc:date>
      <dc:date>2018</dc:date>
      <dc:date>2018-10-26</dc:date>
      <dc:type>conference output</dc:type>
      <dc:identifier>https://hdl.handle.net/10630/16698</dc:identifier>
      <dc:language>eng</dc:language>
      <dc:relation>International Workshop: Digital Perspective. Relationships between Visual and Performing Arts.</dc:relation>
      <dc:relation>Viena (Austria)</dc:relation>
      <dc:relation>septiembre 2018</dc:relation>
      <dc:rights>open access</dc:rights>
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