<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-05-29T23:00:26Z</responseDate><request verb="GetRecord" identifier="oai:riuma.uma.es:10630/18401" metadataPrefix="marc">https://riuma.uma.es/rest/oai/request</request><GetRecord><record><header><identifier>oai:riuma.uma.es:10630/18401</identifier><datestamp>2026-02-03T12:17:24Z</datestamp><setSpec>com_10630_2254</setSpec><setSpec>col_10630_37959</setSpec></header><metadata><record xmlns="http://www.loc.gov/MARC21/slim" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd">
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      <subfield code="a">Blanco-Ruiz, Sonia María</subfield>
      <subfield code="e">author</subfield>
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      <subfield code="a">Palomo-Torres, María Bella</subfield>
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      <subfield code="c">2019-09-19</subfield>
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      <subfield code="a">YouTube is the second social network for news consumption (Reuters Institute, 2018)&#xd;
influencing directly on the information diet of citizens all over the world. The increase of&#xd;
online video viewing (Smith &amp; Anderson, 2018) has provoked a reaction in the journalistic&#xd;
industry to attend the need to connect with an audience that constantly demands&#xd;
audiovisual content. It has been a challenging issue for the media industry to abandon their&#xd;
direct relationship with the audience, decentralize their production and disseminate content&#xd;
on channels such as YouTube (Peer &amp; Ksiazek, 2011). On the other hand, they are aware&#xd;
of image allows to corroborate facts and, therefore, influences the credibility (Wardle &amp;&#xd;
Derakhshan, 2017). This exploratory research analyzes, from a qualitatively and&#xd;
quantitatively perspective, the presence of journalists on YouTube with the aim of finding&#xd;
out if they benefit or underuse the platform. After a selection process with 207 profiles&#xd;
focus on Spain, 78 of them have been selected to study aspects such as genres, topics,&#xd;
structure, intentionality… In addition, ten in-depth interviews with the most successful&#xd;
journalists in the platform were conducted to understand how they interact with their&#xd;
audiences. Results conclude that the role of the journalists promoting their professional&#xd;
profile on YouTube is scarce: 3,32% of registered reporters in Spain maintain an active&#xd;
channel, and only 0,21% of them obtain satisfactory results developing journalistic content.&#xd;
Finally, youtuber journalists consider that traditional colleagues still perceive the platform&#xd;
as a lower level channel and related to the infotainment.</subfield>
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      <subfield code="a">https://hdl.handle.net/10630/18401</subfield>
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      <subfield code="a">Medios de comunicación social</subfield>
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   <datafield ind2="0" ind1="0" tag="245">
      <subfield code="a">Journalists and YouTube: from reluctance to necessity</subfield>
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