<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-06-05T12:38:09Z</responseDate><request verb="GetRecord" identifier="oai:riuma.uma.es:10630/29791" metadataPrefix="oai_dc">https://riuma.uma.es/rest/oai/request</request><GetRecord><record><header><identifier>oai:riuma.uma.es:10630/29791</identifier><datestamp>2026-02-03T10:48:50Z</datestamp><setSpec>com_10630_2254</setSpec><setSpec>col_10630_37953</setSpec></header><metadata><oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:doc="http://www.lyncode.com/xoai" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
   <dc:title>Evolution of Men's Image in Fashion Advertising: Breaking Stereotypes and Embracing Diversity.</dc:title>
   <dc:creator>Carrasco-Santos, María Jesús</dc:creator>
   <dc:creator>Cristófol-Rodríguez, María del Carmen</dc:creator>
   <dc:creator>Begdouri- Rodríguez, Ismael</dc:creator>
   <dc:subject>Moda - Aspectos sociales</dc:subject>
   <dc:subject>Men’s representation</dc:subject>
   <dc:subject>Fashion evolution</dc:subject>
   <dc:subject>Stereotype</dc:subject>
   <dc:subject>Clothing communication</dc:subject>
   <dc:subject>Diversity and inclusion</dc:subject>
   <dc:subject>Societal impact</dc:subject>
   <dc:description>Abstract:&#xd;
Investigates whether societal and fashion evolution has contributed to a departure from traditional &#xd;
stereotypes. The research methodology comprised three phases: content analysis, surveys, and &#xd;
in-depth interviews with an expert panel, examining how men’s clothing has been communicated in &#xd;
fashion over a span of 50 years, with a focus on three renowned brands: Lacoste, Burberry, and Hugo &#xd;
Boss. The findings reveal a notable shift in fashion advertising targeting men, characterized by &#xd;
increased racial diversity among models and a more diverse depiction of attitudes and poses. &#xd;
However, homosexual or bisexual couples remain largely unrepresented. The study highlights the &#xd;
influence of advertising on shaping the image of the “new man”, evident through the diminishing &#xd;
gender boundaries in clothing and accessories and the persistent struggle to break free from &#xd;
stereo- types. The study underscores the significance of ongoing efforts to promote diversity and &#xd;
inclusivity in fashion advertising</dc:description>
   <dc:date>2024-02-05T11:15:52Z</dc:date>
   <dc:date>2024-02-05T11:15:52Z</dc:date>
   <dc:date>2024-01-12</dc:date>
   <dc:type>journal article</dc:type>
   <dc:type>VoR</dc:type>
   <dc:identifier>Carrasco-Santos, M. J., Cristófol-Rodríguez, C., &amp; Begdouri-Rodríguez, I. (2024). Evolution of Men’s Image in Fashion Advertising: Breaking Stereotypes and Embracing Diversity. Journal of Theoretical and Applied Electronic Commerce Research, 19(1), 188-208.</dc:identifier>
   <dc:identifier>https://hdl.handle.net/10630/29791</dc:identifier>
   <dc:identifier>https://doi.org/10.3390/jtaer19010011</dc:identifier>
   <dc:language>eng</dc:language>
   <dc:rights>open access</dc:rights>
   <dc:format>application/pdf</dc:format>
   <dc:publisher>MDPI</dc:publisher>
</oai_dc:dc>
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