<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-05-27T05:31:11Z</responseDate><request verb="GetRecord" identifier="oai:riuma.uma.es:10630/30580" metadataPrefix="mods">https://riuma.uma.es/rest/oai/request</request><GetRecord><record><header><identifier>oai:riuma.uma.es:10630/30580</identifier><datestamp>2026-02-03T11:07:23Z</datestamp><setSpec>com_10630_2254</setSpec><setSpec>col_10630_37953</setSpec></header><metadata><mods:mods xmlns:doc="http://www.lyncode.com/xoai" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
   <mods:name>
      <mods:namePart>Mora-Serrano, Bartolomé</mods:namePart>
   </mods:name>
   <mods:extension>
      <mods:dateAvailable encoding="iso8601">2024-02-21T12:06:01Z</mods:dateAvailable>
   </mods:extension>
   <mods:extension>
      <mods:dateAccessioned encoding="iso8601">2024-02-21T12:06:01Z</mods:dateAccessioned>
   </mods:extension>
   <mods:originInfo>
      <mods:dateIssued encoding="iso8601">2023-06-12</mods:dateIssued>
   </mods:originInfo>
   <mods:identifier type="uri">https://hdl.handle.net/10630/30580</mods:identifier>
   <mods:identifier type="doi">10.19282/rsf.50.2022.12</mods:identifier>
   <mods:abstract>Worth highlighting among the depictions on the reverses of Hadrian aurei dedicated to different divinities are those of Hercules Gaditanus. These representations combining a victorious image of the Emperor depicted as a god with what was the fictitious limit of the known world are charged with potent symbolism. This study focuses on aurei (RIC II/3 572-578 and 555) bearing the image of Oceanus accompanied by a ship’s prow marked by a distinct adornment. Apart from the more basic reading of this detail that reinforces the well-known oceanic vocation of Gadir/Gades, this study delves into the possibility of interpreting the scene from a Hispano-Phoenician viewpoint linked to the key role played by the iconography of the ship. The ship/híppos represents a key element in the Phoenician-Punic imaginary with a bond to the god from Cadiz, whose likeness can be traced through this Roman coinage which was especially beloved by the emperors of Hispanic origin.</mods:abstract>
   <mods:language>
      <mods:languageTerm>eng</mods:languageTerm>
   </mods:language>
   <mods:accessCondition type="useAndReproduction">http://creativecommons.org/licenses/by-nc-nd/4.0/</mods:accessCondition>
   <mods:accessCondition type="useAndReproduction">open access</mods:accessCondition>
   <mods:accessCondition type="useAndReproduction">Attribution-NonCommercial-NoDerivatives 4.0 Internacional</mods:accessCondition>
   <mods:subject>
      <mods:topic>Numismática romana</mods:topic>
   </mods:subject>
   <mods:titleInfo>
      <mods:title>Melqart, Hercules Gaditanus and Híppos of Hadrian Aurei.</mods:title>
   </mods:titleInfo>
   <mods:genre>journal article</mods:genre>
</mods:mods>
</metadata></record></GetRecord></OAI-PMH>