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      <dc:title>The translation of Dear Evan Hansen: a needle in a haystack.</dc:title>
      <dc:creator>Cruz-Durán, Belén</dc:creator>
      <dc:subject>Materiales audiovisuales - Traducción</dc:subject>
      <dc:subject>Películas cinematográficas - Doblaje</dc:subject>
      <dc:subject>Traducción audiovisual</dc:subject>
      <dc:description>Resumen de la ponencia presentada por la Dra. Belén Cruz-Durán en el XIII CONGRESO INTERNACIONAL liLETRAd 2024.</dc:description>
      <dc:description>The popular adage states that “A picture is worth a thousand words”. Just as with words,&#xd;
there are more ways than one of expressing art too. If we take songs as an example, “music&#xd;
relies on our hearing, our somatic feeling, as well as the visual presentation” (Minors,&#xd;
2021: 15). Until a few years ago, research on the translation of songs was linked to&#xd;
operatic texts and classic musical works with stories narrated almost entirely through&#xd;
song. The connections studied between text, image and music were therefore restricted to&#xd;
an exclusive audience with very distinct characteristics (purchasing power, proficiency in&#xd;
other languages, high intellect, etc.). The “study of song translation needs empirical&#xd;
evidence, basic facts about how target texts have historically looked” (Franzon, 2021:&#xd;
84). Recent studies of teenage musical audiovisual productions confirm that the general&#xd;
tendency ─if translating songs─ is not to dub, but to subtitle them, carrying out strategies&#xd;
of mixed interlinguistic translation (Cruz-Durán, 2022). However, in 2021 Universal&#xd;
Studios launched Dear Evan Hansen, a film adaptation of the Tony and Grammy Awardwinning&#xd;
teenage musical of the same name, and in which both dialogues and songs were&#xd;
dubbed into Spanish. For that reason, the present work analyses its translation since it is&#xd;
believed to be a unique opportunity to delves into song translation in the 21st century.&#xd;
This study will be conducted from a functionalist perspective, based on the most recent&#xd;
studies on the translation of musical films addressed to a teenage audience, in order to&#xd;
collect concrete data that keeps strengthening the foundation of this field of work from&#xd;
both a theorical and practical approach.</dc:description>
      <dc:date>2024-07-05T11:46:42Z</dc:date>
      <dc:date>2024-07-05T11:46:42Z</dc:date>
      <dc:date>2024</dc:date>
      <dc:type>conference output</dc:type>
      <dc:identifier>https://hdl.handle.net/10630/31930</dc:identifier>
      <dc:language>eng</dc:language>
      <dc:relation>XIII CONGRESO INTERNACIONAL liLETRAd 2024</dc:relation>
      <dc:relation>California, Estados Unidos</dc:relation>
      <dc:relation>13/03/2024</dc:relation>
      <dc:rights>http://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights>
      <dc:rights>open access</dc:rights>
      <dc:rights>Attribution-NonCommercial-NoDerivatives 4.0 Internacional</dc:rights>
      <dc:publisher>XIII CONGRESO INTERNACIONAL liLETRAd 2024</dc:publisher>
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