<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-05-29T22:34:35Z</responseDate><request verb="GetRecord" identifier="oai:riuma.uma.es:10630/33356" metadataPrefix="rdf">https://riuma.uma.es/rest/oai/request</request><GetRecord><record><header><identifier>oai:riuma.uma.es:10630/33356</identifier><datestamp>2026-02-03T11:00:58Z</datestamp><setSpec>com_10630_2254</setSpec><setSpec>col_10630_37953</setSpec></header><metadata><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:doc="http://www.lyncode.com/xoai" xmlns:ds="http://dspace.org/ds/elements/1.1/" xmlns:ow="http://www.ontoweb.org/ontology/1#" xmlns:rdf="http://www.openarchives.org/OAI/2.0/rdf/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/rdf/ http://www.openarchives.org/OAI/2.0/rdf.xsd">
   <ow:Publication rdf:about="oai:riuma.uma.es:10630/33356">
      <dc:title>Spanish tourist industry during the Franco’s regime through the touristic cinema (1951-1977)</dc:title>
      <dc:creator>Zamarreño-Aramendia, Gorka</dc:creator>
      <dc:creator>Cruz-Ruiz, Elena de los Reyes</dc:creator>
      <dc:creator>Ruiz-Romero-de-la-Cruz, Elena María</dc:creator>
      <dc:subject>Turismo en el cine - España</dc:subject>
      <dc:description>Mass tourism in Spain became one of the most prosperous economic sectors in the mid-twentieth&#xd;
century, collaborating in the process of convergence with Europe, using the seductive power of the media, especially&#xd;
the cinema. A quantitative and (to a lesser extent) qualitative analysis methodology was followed. After&#xd;
reviewing the academic literature, the records of the National Film Library were consulted, selecting 87 films of&#xd;
tourist content and of national production, during the period of operation of the Ministry of Information and Tourism&#xd;
(1951-1977). The results have made it possible to identify the tourist segments, the cinematographic genres,&#xd;
the type of tourists, national or foreign, as well as the heritage elements and the services present in the tourist&#xd;
product of the time, visualizing the scenarios where the plots of the films are developed. The cinematography allows&#xd;
showing the elements that constitute the economic tourism model of Franco’s Spain, focused on towns on the&#xd;
Mediterranean coast, especially on the Costa del Sol. The research translates the antecedents of tourism marketing,&#xd;
using cinema as a means of communication that recognizes the economic transformation of Spanish society and&#xd;
the new image of Spain to be projected abroad.</dc:description>
      <dc:date>2024-09-26T07:35:33Z</dc:date>
      <dc:date>2024-09-26T07:35:33Z</dc:date>
      <dc:date>2024</dc:date>
      <dc:date>2024</dc:date>
      <dc:type>journal article</dc:type>
      <dc:identifier>Zamarreño-Aramendia, Gorka, Cruz-Ruiz, Elena and Ruiz-Romero de la Cruz, Elena (2024) “Spanish tourist industry during the Franco’s regime through the touristic cinema (1951-1977).” Culture &amp; History Digital Journal, 13 (1): 410</dc:identifier>
      <dc:identifier>https://hdl.handle.net/10630/33356</dc:identifier>
      <dc:identifier>10.3989/chdj.2024.410</dc:identifier>
      <dc:language>spa</dc:language>
      <dc:rights>http://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights>
      <dc:rights>open access</dc:rights>
      <dc:rights>Attribution-NonCommercial-NoDerivatives 4.0 Internacional</dc:rights>
      <dc:publisher>Consejo Superior de Investigaciones Científicas (CSIC)</dc:publisher>
   </ow:Publication>
</rdf:RDF>
</metadata></record></GetRecord></OAI-PMH>