2026-06-01T18:12:46Zhttps://riuma.uma.es/rest/oai/requestoai:riuma.uma.es:10630/334382026-02-03T11:20:02Zcom_10630_2254col_10630_37953
RIUMA. Repositorio Institucional de la Universidad de Málaga
author
Barbancho-Pérez, Isabel
author
Tardón-García, Lorenzo José
author
Sammartino, Simone
author
Barbancho-Pérez, Ana María
2024-09-26T10:38:06Z
2024-09-26T10:38:06Z
2012-03-19
I. Barbancho, L. J. Tardon, S. Sammartino and A. M. Barbancho, "Inharmonicity-Based Method for the Automatic Generation of Guitar Tablature," in IEEE Transactions on Audio, Speech, and Language Processing, vol. 20, no. 6, pp. 1857-1868, Aug. 2012, doi: 10.1109/TASL.2012.2191281.
https://hdl.handle.net/10630/33438
10.1109/TASL.2012.2191281
In this paper, a system for the extraction of the tablature of guitar musical pieces using only the audio waveform
is presented. The analysis of the inharmonicity relations between the fundamentals and the partials of the notes played is the main process that allows to estimate both the notes played and the string/fret combination that was used to produce that sound. A procedure to analyze chords will also be described. This procedure will also make use of the inharmonicity analysis to find the simultaneous string/fret combinations used to play each chord. The proposed method is suitable for any guitar type: classical, acoustic and electric guitars. The system performance has been evaluated on a series of guitar samples from the RWC instruments
database and our own recordings.
eng
Música - Análisis
Inharmonicity-Based Method for the Automatic Generation of Guitar Tablature
journal article
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URL
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NOI_2012.pdf