<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-06-01T17:40:26Z</responseDate><request verb="GetRecord" identifier="oai:riuma.uma.es:10630/35104" metadataPrefix="rdf">https://riuma.uma.es/rest/oai/request</request><GetRecord><record><header><identifier>oai:riuma.uma.es:10630/35104</identifier><datestamp>2026-02-03T12:07:57Z</datestamp><setSpec>com_10630_2254</setSpec><setSpec>col_10630_37959</setSpec></header><metadata><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:doc="http://www.lyncode.com/xoai" xmlns:ds="http://dspace.org/ds/elements/1.1/" xmlns:ow="http://www.ontoweb.org/ontology/1#" xmlns:rdf="http://www.openarchives.org/OAI/2.0/rdf/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/rdf/ http://www.openarchives.org/OAI/2.0/rdf.xsd">
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      <dc:title>Assembled Female Identities in Neo-Victorian Asylum Narratives.</dc:title>
      <dc:creator>Pettersson, Lin Elinor</dc:creator>
      <dc:subject>Steampunk (Movimiento)</dc:subject>
      <dc:subject>Persona (Filosofía)</dc:subject>
      <dc:description>In the twenty-first century, women writers in particular have explored the aesthetic possibilities of neo-Victorian asylum fiction to delve into issues of gender and sexuality, and challenged tenacious patriarchal and heteronormative frames. Neo-Victorian asylum narratives bear on the historical context of the development of psychiatry and psychology into separate branches of medical science, which “did not occur in a national vacuum”; rather, theories regarding mental states and disorders developed in a multifaceted and intertwined intellectual context of European schools of psychiatry in the nineteenth century (Jansson 2021, 10). Moreover, “the term ‘Victorian psychology’ is potentially misleading”, since it “was not a coherent discipline, but rather a collection of works by writers who drew upon philosophy, social theory, evolutionary theory, physiology, neurology, alienism, and psychiatry” (Vrettos 2005, 69). Neo-Victorian asylum fiction builds on Victorian literary legacies and echoes sensationalist literature, gothic imagery and tropes of madness – as such, it is an entangled territory where different disciplines, multiple discourses and texts intersect across time in ways that fit the notion of assemblage. Taking this as a starting point, I will introduce Assemblage Theory as a critical tool to analyse assembled and entangled identities and reading practices in neo-Victorian asylum narratives drawing mainly on Deleuze and Guattari’s conceptualisation of assemblage in A Thousand Plateaus (1980), and as explained by Nail in “What Is an Assemblage?” (2017). My main aim is to examine the neo-Victorian asylum as assembled through a set of ongoing relational processes that intersect in productive ways and to analyse how the female body becomes a focal point where disciplinary technologies of power operate.</dc:description>
      <dc:date>2024-11-11T11:28:13Z</dc:date>
      <dc:date>2024-11-11T11:28:13Z</dc:date>
      <dc:date>2024</dc:date>
      <dc:type>conference output</dc:type>
      <dc:identifier>https://hdl.handle.net/10630/35104</dc:identifier>
      <dc:language>eng</dc:language>
      <dc:relation>47th International AEDEAN Conference</dc:relation>
      <dc:relation>Universidad de Pablo de Olavide</dc:relation>
      <dc:relation>Noviembre 2024</dc:relation>
      <dc:rights>open access</dc:rights>
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