2026-06-06T01:37:18Zhttps://riuma.uma.es/rest/oai/requestoai:riuma.uma.es:10630/354782026-02-03T11:10:55Zcom_10630_2254col_10630_37953
RIUMA. Repositorio Institucional de la Universidad de Málaga
author
Hernández-Guerrero, María José
2024-12-03T12:45:32Z
2024-12-03T12:45:32Z
2024
Hernández Guerrero, Mª José (2024). “La traducción de canciones en la prosa novelística: la canción del Ciego en Madame Bovary”. Anales de Filología Francesa 34, pp. 113-134.
https://hdl.handle.net/10630/35478
https://doi.org/10.6018/analesff.631051
The inclusion of song lyrics in novelistic prose is a semiotic resource used in literature with some frequency. Through this operation, the song is deconstructed in literary discourse and transformed to acquire new meanings. This article examines the translation of these intertexts and the mechanisms used to bring out their musicality in the narrative, taking as a case study the song of the Blind Man that Gustave Flaubert inserts into Madame Bovary. This classic novel has been the subject of numerous translations into peninsular Spanish, which makes it possible to establish a representative corpus for analysing the way in which this musical intertext has been translated. The article describes the procedure adopted by Flaubert to introduce this song into the narrative diegesis and details the two mainmethods used by the translators to restore it and project its musicality into the writing:poetic translation and non-translation.
spa
Attribution-NonCommercial-NoDerivatives 4.0 Internacional
Madame Bovary - Traducciones
La traducción de canciones en la prosa novelística: la canción del Ciego en Madame Bovary
journal article
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URL
https://riuma.uma.es/bitstreams/03129e76-0a3d-42e3-8680-1a58bd97178a/download
File
MD5
99ee09863bca2cd118e8d26db7a00bfd
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application/pdf
La traducción de canciones en la prosa novelística.pdf