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   <dc:title>Lucy, Lydia and Lilith: Sensation Fiction, Painting, and Hair.</dc:title>
   <dc:creator>Hueso-Vasallo, Manuel</dc:creator>
   <dc:subject>Literatura inglesa - S. XIX</dc:subject>
   <dc:subject>Collins, Wilkie - Crítica e interpretación</dc:subject>
   <dcterms:abstract>In this paper I explore the relationship between Sensation fiction and Pre-Raphaelite painting manifestations through the multi-layered dialogue some paintings, especially Rosetti’s Bocca Baciata (1859), with two of the most popular Sensation novels: Mary Elizabeth Braddon’s Lady Audley’s Secret (1862) and Wilkie Collins’ Armadale (1864-6). This dialogue, I argue, was based on the depiction of women’s bodies and hair.</dcterms:abstract>
   <dcterms:dateAccepted>2025-06-05T11:21:02Z</dcterms:dateAccepted>
   <dcterms:available>2025-06-05T11:21:02Z</dcterms:available>
   <dcterms:created>2025-06-05T11:21:02Z</dcterms:created>
   <dcterms:issued>2018</dcterms:issued>
   <dc:type>conference output</dc:type>
   <dc:identifier>https://hdl.handle.net/10630/38892</dc:identifier>
   <dc:language>eng</dc:language>
   <dc:relation>42nd AEDEAN Conference - 2018</dc:relation>
   <dc:relation>Córdoba</dc:relation>
   <dc:relation>7-9 noviembre 2018</dc:relation>
   <dc:rights>open access</dc:rights>
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