2026-05-30T12:43:04Zhttps://riuma.uma.es/rest/oai/request

oai:riuma.uma.es:10630/394542026-02-03T11:46:57Zcom_10630_2254col_10630_37959

Martín-González, Juan José 2025-07-23T09:30:15Z 2025-07-23T09:30:15Z 2013 978-84-616-6917-2 https://hdl.handle.net/10630/39454 This chapter is aimed at examining two neo-Victorian adaptations of the legend of Sweeney Todd: Stephen Sondheim’s Sweeney Todd. The Demon Barber of Fleet Street. A Musical Thriller (1979) and Tim Burton’s Sweeney Todd, the Demon Barber of Fleet Street (2007). Firstly, taking the analytical tenets of Adaptation theories as a point of departure, I will consider the medium-specific features of theatre and cinema that come out in the play and the film referred above respectively. Secondly, I will look into how violence is portrayed in each adaptation and I will peruse the social-political resonances of the legend in general by tracing briefly its adaptation evolution from the nineteenth century up to nowadays. eng http://creativecommons.org/licenses/by-nc-nd/4.0/ open access Attribution-NonCommercial-NoDerivatives 4.0 Internacional Adaptaciones cinematográficas Folklore urbano Sweeney Todd: Adapting a Victorian Urban Legend. conference output