<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-05-30T05:54:19Z</responseDate><request verb="GetRecord" identifier="oai:riuma.uma.es:10630/39454" metadataPrefix="qdc">https://riuma.uma.es/rest/oai/request</request><GetRecord><record><header><identifier>oai:riuma.uma.es:10630/39454</identifier><datestamp>2026-02-03T11:46:57Z</datestamp><setSpec>com_10630_2254</setSpec><setSpec>col_10630_37959</setSpec></header><metadata><qdc:qualifieddc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:doc="http://www.lyncode.com/xoai" xmlns:qdc="http://dspace.org/qualifieddc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dc.xsd http://purl.org/dc/terms/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dcterms.xsd http://dspace.org/qualifieddc/ http://www.ukoln.ac.uk/metadata/dcmi/xmlschema/qualifieddc.xsd">
   <dc:title>Sweeney Todd: Adapting a Victorian Urban Legend.</dc:title>
   <dc:creator>Martín-González, Juan José</dc:creator>
   <dc:subject>Adaptaciones cinematográficas</dc:subject>
   <dc:subject>Folklore urbano</dc:subject>
   <dcterms:abstract>This chapter is aimed at examining two neo-Victorian adaptations of the legend of Sweeney&#xd;
Todd: Stephen Sondheim’s Sweeney Todd. The Demon Barber of Fleet Street. A Musical&#xd;
Thriller (1979) and Tim Burton’s Sweeney Todd, the Demon Barber of Fleet Street (2007).&#xd;
Firstly, taking the analytical tenets of Adaptation theories as a point of departure, I will&#xd;
consider the medium-specific features of theatre and cinema that come out in the play and the&#xd;
film referred above respectively. Secondly, I will look into how violence is portrayed in each&#xd;
adaptation and I will peruse the social-political resonances of the legend in general by tracing&#xd;
briefly its adaptation evolution from the nineteenth century up to nowadays.</dcterms:abstract>
   <dcterms:dateAccepted>2025-07-23T09:30:15Z</dcterms:dateAccepted>
   <dcterms:available>2025-07-23T09:30:15Z</dcterms:available>
   <dcterms:created>2025-07-23T09:30:15Z</dcterms:created>
   <dcterms:issued>2013</dcterms:issued>
   <dc:type>conference output</dc:type>
   <dc:identifier>978-84-616-6917-2</dc:identifier>
   <dc:identifier>https://hdl.handle.net/10630/39454</dc:identifier>
   <dc:language>eng</dc:language>
   <dc:relation>36th AEDEAN Conference</dc:relation>
   <dc:relation>Universidad de Málaga</dc:relation>
   <dc:relation>2013</dc:relation>
   <dc:rights>http://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights>
   <dc:rights>open access</dc:rights>
   <dc:rights>Attribution-NonCommercial-NoDerivatives 4.0 Internacional</dc:rights>
   <dc:publisher>Universidad de Málaga</dc:publisher>
</qdc:qualifieddc>
</metadata></record></GetRecord></OAI-PMH>