2026-06-02T10:56:24Zhttps://riuma.uma.es/rest/oai/request

oai:riuma.uma.es:10630/396902026-02-03T10:57:15Zcom_10630_2254col_10630_37953

00925njm 22002777a 4500 dc Crespillo Marí, Leticia author Farré Torras, Begoña author Soares, Marta author 2024-07-16 This paper critically considers digital curatorial practices, increasingly used both in commercial and museum settings, involving the animated mapped projection of digitised works of art. It draws attention to the problematic and common misuse of the term ‘immersive’ to designate such practices and examines their effectiveness for art historical knowledge sharing and meaning making. Through first-hand observation of a number of such exhibits, the paper considers the lessons that can be learned from them and how they would specifically apply to a corpus of twentieth-century frescoes that make up the study object of a research project on art historical digital curatorship. Farré Torras, B.; Crespillo Mari, L.; Soares, M. (2024). “Post Wow, is Less More? A Critical Approach to Animated Mapped Projection for Art Historical Knowledge Sharing. The Twentieth-Century Mural as a Case Study”. magazén, 5(1), [1-24] 149-172. https://hdl.handle.net/10630/39690 10.30687/mag/2724-3923/2024/01/006 Arte digital Post Wow, is Less More? A Critical Approach to Animated Mapped Projection for Art Historical Knowledge Sharing. The Twentieth-Century Mural as a Case Study.