<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-06-01T02:06:25Z</responseDate><request verb="GetRecord" identifier="oai:riuma.uma.es:10630/45345" metadataPrefix="qdc">https://riuma.uma.es/rest/oai/request</request><GetRecord><record><header><identifier>oai:riuma.uma.es:10630/45345</identifier><datestamp>2026-02-11T00:48:33Z</datestamp><setSpec>com_10630_2254</setSpec><setSpec>col_10630_37953</setSpec></header><metadata><qdc:qualifieddc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:doc="http://www.lyncode.com/xoai" xmlns:qdc="http://dspace.org/qualifieddc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dc.xsd http://purl.org/dc/terms/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dcterms.xsd http://dspace.org/qualifieddc/ http://www.ukoln.ac.uk/metadata/dcmi/xmlschema/qualifieddc.xsd">
   <dc:title>Media event and Latin performance: Bad Bunny at Super Bowl LX and the symbolic reconfiguration of "America" (2026).</dc:title>
   <dc:creator>Pérez-Rufi, José Patricio</dc:creator>
   <dc:subject>Televisión y deportes</dc:subject>
   <dc:subject>Televisión - Aspectos sociales</dc:subject>
   <dc:subject>Latinoamericanos - Estados Unidos - Cultura</dc:subject>
   <dcterms:abstract>This paper examines Bad Bunny’s (Benito Antonio Martínez Ocasio) televised halftime performance at Super Bowl LX, broadcast on 8 February 2026. Drawing on the theoretical framework of media events, media rituals and the culture of spectacle, it interprets the performance as a device of visibility and memory that reorganises the ritual of the major sporting event. The staging unfolds a symbolic grammar centred on Puerto Rico and the Latin diaspora: the opening amid sugarcane fields activates a colonial memory; the little house condenses home, community and cultural pride; the live wedding and the neighbourhood party advance a politics of affect; and the sequence focused on electrical infrastructure positions the island’s material precarity within the global public sphere. In its closing movement, the re-signification of the formula “God bless America”, through the enumeration of countries across the continent and the display of flags, constructs an inclusive pan-Americanism that challenges the appropriation of the term “America” as an exclusive synonym for the United States. The analysis argues that the spectacle offers a counter-narrative of citizenship: against contemporary discourses of fear, criminalisation and exclusion directed at Latin migration, Bad Bunny articulates recognition, self-esteem and continental fraternity without resorting to belligerent rhetoric.</dcterms:abstract>
   <dcterms:issued>2026-02-09</dcterms:issued>
   <dc:type>journal article</dc:type>
   <dc:identifier>Pérez-Rufi, J. P. (2026). Media event and Latin performance: Bad Bunny at Super Bowl LX and the symbolic reconfiguration of "America" (2026). Zenodo. https://doi.org/10.5281/zenodo.18560580</dc:identifier>
   <dc:identifier>https://hdl.handle.net/10630/45345</dc:identifier>
   <dc:identifier>https://doi.org/10.5281/zenodo.18560580</dc:identifier>
   <dc:language>eng</dc:language>
   <dc:rights>http://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights>
   <dc:rights>open access</dc:rights>
   <dc:rights>Attribution-NonCommercial-NoDerivatives 4.0 International</dc:rights>
   <dc:publisher>Universidad de Málaga</dc:publisher>
</qdc:qualifieddc>
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