2026-06-05T12:17:35Zhttps://riuma.uma.es/rest/oai/requestoai:riuma.uma.es:10630/456842026-02-25T00:47:05Zcom_10630_2254col_10630_37953
RIUMA. Repositorio Institucional de la Universidad de Málaga
author
Balaskas, Vasileios
2026-02-24T10:37:10Z
2020-06-30
Balaskas Vasileios, 2020. ‘Collective Memory and Spanish Cultural Politics: The Revival of the Roman Theatre of Merida (1910-1935)’, Classical Reception Journal 12.4, 470-485.
https://academic.oup.com/crj/article-abstract/12/4/470/5864943?redirectedFrom=fulltext
https://hdl.handle.net/10630/45684
10.1093/crj/claa004
In the twentieth century, ancient theatres acquired symbolic values through their excavation, restoration, and cultural reuse. While elsewhere in the Mediterranean comparable cases show an early and powerful engagement of a populace with their antiquities, in Spain national ideals did not automatically engage with classical culture. In the case of the Roman theatre of Merida, cultural and historical realities dictated a series of cultural events that repeatedly concerned collective memory. In addition to the main sequence of the unique occasions surrounding the 1933 and 1934 performances at the theatre, various other agencies had systematically focused on its exploitation from the 1910s. These initiatives were endorsed by numerous formal visits and cultural events that took place in the theatre, from as early as 1914. Through successive spectacles staged at the theatre, a cultural tradition emerged, while political agendas occasionally exploited its increasing popularity, right up to the Spanish Civil War.
eng
Attribution-NonCommercial-NoDerivatives 4.0 International
Teatros - Conservación y restauración - Merida
Collective Memory and Spanish Cultural Politics: The Revival of the Roman Theatre of Merida (1910-1935)
journal article
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Collective Memory and Spanish Cultural Politics.pdf