2026-06-01T07:08:18Zhttps://riuma.uma.es/rest/oai/request

oai:riuma.uma.es:10630/459872026-03-11T00:45:19Zcom_10630_2254col_10630_37953

00925njm 22002777a 4500 dc Hueso-Vasallo, Manuel author 2026-03-05 This paper explores the intricate connections between William di Canzio's *Alec* and E.M. Forster's *Maurice*, particularly how both texts represent hope in queer experiences. By applying Sara Ahmed's theory of queer phenomenology and Rita Felski's concept of 'recognition', it articulates queer hope as a dynamic notion that transcends traditional happy endings, shedding light on the ongoing struggles and aspirations of LGBTQIA+ individuals across time. Manuel Hueso-Vasallo (2026) ‘There’s no woods left’: the progression of hope in William di Canzio’s Alec (2021) and E.M. Forster’s Maurice (1914/71), Cogent Arts & Humanities, 13:1, 2641243, DOI: 10.1080/23311983.2026.2641243 https://hdl.handle.net/10630/45987 10.1080/23311983.2026.2641243 Forster, E.M.- Crítica e interpretación Teoría queer There's no woods left: The Progression of Hope in William Di Canzio's Alec (2021) and E.M. Forster's Maurice (1971).