<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-06-05T20:52:15Z</responseDate><request verb="GetRecord" identifier="oai:riuma.uma.es:10630/45987" metadataPrefix="qdc">https://riuma.uma.es/rest/oai/request</request><GetRecord><record><header><identifier>oai:riuma.uma.es:10630/45987</identifier><datestamp>2026-03-11T00:45:19Z</datestamp><setSpec>com_10630_2254</setSpec><setSpec>col_10630_37953</setSpec></header><metadata><qdc:qualifieddc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:doc="http://www.lyncode.com/xoai" xmlns:qdc="http://dspace.org/qualifieddc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://purl.org/dc/elements/1.1/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dc.xsd http://purl.org/dc/terms/ http://dublincore.org/schemas/xmls/qdc/2006/01/06/dcterms.xsd http://dspace.org/qualifieddc/ http://www.ukoln.ac.uk/metadata/dcmi/xmlschema/qualifieddc.xsd">
   <dc:title>There's no woods left: The Progression of Hope in William Di Canzio's Alec (2021) and E.M. Forster's Maurice (1971).</dc:title>
   <dc:creator>Hueso-Vasallo, Manuel</dc:creator>
   <dc:subject>Forster, E.M.- Crítica e interpretación</dc:subject>
   <dc:subject>Teoría queer</dc:subject>
   <dcterms:abstract>This paper explores the intricate connections between William di Canzio's *Alec* and E.M. Forster's *Maurice*, particularly how both texts represent hope in queer experiences. By applying Sara Ahmed's theory of queer phenomenology and Rita Felski's concept of 'recognition', it articulates queer hope as a dynamic notion that transcends traditional happy endings, shedding light on the ongoing struggles and aspirations of LGBTQIA+ individuals across time.</dcterms:abstract>
   <dcterms:issued>2026-03-05</dcterms:issued>
   <dc:type>journal article</dc:type>
   <dc:identifier>Manuel Hueso-Vasallo (2026) ‘There’s no woods left’: the progression of hope in William di Canzio’s Alec (2021) and E.M. Forster’s Maurice (1914/71), Cogent Arts &amp; Humanities, 13:1, 2641243, DOI: 10.1080/23311983.2026.2641243</dc:identifier>
   <dc:identifier>https://hdl.handle.net/10630/45987</dc:identifier>
   <dc:identifier>10.1080/23311983.2026.2641243</dc:identifier>
   <dc:language>eng</dc:language>
   <dc:rights>http://creativecommons.org/licenses/by/4.0/</dc:rights>
   <dc:rights>open access</dc:rights>
   <dc:rights>Attribution 4.0 International</dc:rights>
   <dc:publisher>Taylor &amp; Francis</dc:publisher>
</qdc:qualifieddc>
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