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      <dc:title>There's no woods left: The Progression of Hope in William Di Canzio's Alec (2021) and E.M. Forster's Maurice (1971).</dc:title>
      <dc:creator>Hueso-Vasallo, Manuel</dc:creator>
      <dc:subject>Forster, E.M.- Crítica e interpretación</dc:subject>
      <dc:subject>Teoría queer</dc:subject>
      <dc:description>This paper explores the intricate connections between William di Canzio's *Alec* and E.M. Forster's *Maurice*, particularly how both texts represent hope in queer experiences. By applying Sara Ahmed's theory of queer phenomenology and Rita Felski's concept of 'recognition', it articulates queer hope as a dynamic notion that transcends traditional happy endings, shedding light on the ongoing struggles and aspirations of LGBTQIA+ individuals across time.</dc:description>
      <dc:date>2026-03-10T10:20:47Z</dc:date>
      <dc:date>2026-03-05</dc:date>
      <dc:type>journal article</dc:type>
      <dc:identifier>Manuel Hueso-Vasallo (2026) ‘There’s no woods left’: the progression of hope in William di Canzio’s Alec (2021) and E.M. Forster’s Maurice (1914/71), Cogent Arts &amp; Humanities, 13:1, 2641243, DOI: 10.1080/23311983.2026.2641243</dc:identifier>
      <dc:identifier>https://hdl.handle.net/10630/45987</dc:identifier>
      <dc:identifier>10.1080/23311983.2026.2641243</dc:identifier>
      <dc:language>eng</dc:language>
      <dc:rights>http://creativecommons.org/licenses/by/4.0/</dc:rights>
      <dc:rights>open access</dc:rights>
      <dc:rights>Attribution 4.0 International</dc:rights>
      <dc:publisher>Taylor &amp; Francis</dc:publisher>
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