2026-05-30T03:07:23Zhttps://riuma.uma.es/rest/oai/requestoai:riuma.uma.es:10630/85052026-02-03T12:26:06Zcom_10630_2254col_10630_37959
RIUMA. Repositorio Institucional de la Universidad de Málaga
author
Cruz-Rus, Celia
2014-12-01T11:37:15Z
2014-12-01T11:37:15Z
2014-12-01
http://hdl.handle.net/10630/8505
Ever since the 1930s, with Vita Sackville-West’s The Edwardians (1930), representations of
the Edwardian period can be found in British fiction. However, those have evolved throughout the
years, as neo-Edwardian novels seem to incorporate postmodern ideas and share more features
with neo-Victorian fiction than with their rather conservative predecessors. Furthermore, some of
these novels, in which the crucial parts of the action take place in the Edwardian era, start in the
Victorian period.
Aligned with current debates in historiography about periodization of the late nineteenth -
early twentieth century, this paper aims to add a new point of view by analysing recent
representations of the Edwardians in contemporary fiction through a close analysis of novels that
could be called neo-Edwardian and show ways in which they collide with and differ from
representations of the Victorians, as it is the case with Julian Barnes’s Arthur & George (2005) and
Tracy Chevalier’s Falling Angels (2001) among others.
In order to do so, it will be necessary to revisit Linda Hutcheon’s theories about
postmodern historical fiction found in her Poetics of Postmodernism (1988) and reach recent critical
trends like the ones appearing in Nicola Parsons and Kate Mitchell’s Reading Historical Fiction: The
Revenant and Remembered Past (2013), which show an evolution away from historiographic
metafiction. Also, the definition of neo-Victorianism provided by Ann Heilmann and Mark
Llewelyn in Neo-Victorianism: The Victorians in the Twenty-First Century, 1999-2005 (2010) will be
essential to articulate this paper.
Out of this exploration, the question whether neo-Edwardian novels talk about the twentyfirst
century in spite of their setting will arise too, re-opening the discussion on nostalgia initiated in
the 1980s.
As a result, it will be shown that, although the relationship between neo-Edwardian fiction
and neo-Victorianism is close, the former can be interpreted as a different subgenre with quite an
ambivalent attitude towards the past, ranging from nostalgia to an anti-nostalgic impulse.
eng
Literatura inglesa - 1901-1914
Distinguishing neo-Edwardianism from neo-Victorianism
conference output
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abstract_aedean_2014-Celia.pdf.txt