Mostrar el registro sencillo del ítem

dc.contributor.authorMacías-Villalobos, Cristóbal 
dc.date.accessioned2015-10-16T11:39:01Z
dc.date.available2015-10-16T11:39:01Z
dc.date.issued2015-10-16
dc.identifier.urihttp://hdl.handle.net/10630/10521
dc.descriptionC. Macías Villalobos, "El simbolismo de la oveja y su presencia en la obra de Picasso", en C. Macías & S. Núñez (eds.), Virtuti Magistri Honos. Studia Graecolatina A. Alberte septuagesimo anno dicata, Libros Pórtico, Zaragoza, 2011, pp. 187-235)es_ES
dc.description.abstractThere is a rich variety of symbolic values behind sheep, lambs and rams from antiquity until modern times. Sheep and lambs were considered docile and tame animals, and therefore they usually were chosen by all countries and cultures as victims in sacrifi ces. Rams were often portrayed as physically powerful and highly sexualized. Among Christians, these animals represented Jesus’ personality and the Christian people. Topics such as the Good Shepherd, the Paschal Lamb, the Golden Fleece and the still lifes showing skulls and heads of sheep, are common in the History of Western Art. In this paper we analyse in detail all of these symbolic meanings and their presence in Picasso’s work.es_ES
dc.language.isospaes_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.subjectSimbolismoes_ES
dc.subjectAnimales - Folclorees_ES
dc.subject.otherSheepes_ES
dc.subject.otherLambes_ES
dc.subject.otherRames_ES
dc.subject.otherSymbolic meaningses_ES
dc.subject.otherGood Shepherdes_ES
dc.subject.otherStill lifeses_ES
dc.subject.otherPicassoes_ES
dc.titleEl simbolismo de la oveja y su presencia en la obra de Picassoes_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.centroFacultad de Filosofía y Letrases_ES
dc.cclicenseby-nc-ndes_ES
dc.type.hasVersioninfo:eu-repo/semantics/submittedVersiones_ES


Ficheros en el ítem

Este ítem aparece en la(s) siguiente(s) colección(ones)

Mostrar el registro sencillo del ítem