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dc.contributor.authorMendez-Baiges, Maria Teresa 
dc.date.accessioned2015-11-03T10:29:11Z
dc.date.available2015-11-03T10:29:11Z
dc.date.created2015
dc.date.issued2015-11-03
dc.identifier.urihttp://hdl.handle.net/10630/10634
dc.description.abstractA hundred years ago , during the I World War, the first forms of military camouflage were devoloped. The earlier Unité de Camouflage was born in February 1915 in the french army. Mimetic camouflage design, called Disruptive Pattern Material (DPM), was the product of an intention of deceit based on concealment of equipment and facilities against the enemy. These primitive forms of invisibility searched the mimesis with the environment, and they developed both abstract and figurative solutions. This paper presents the mimesis pictorial solutions produced by the military camouflage, their relationships with avantgarde painting of the moment, and paradoxes posed on the concept of imitation in the field of contemporary art and visual culture, through the desestabilization of the notions of representation and naturalism.es_ES
dc.description.sponsorshipUniversidad de Málaga. Campus de Excelencia Internacional Andalucía Tech.es_ES
dc.language.isoitaes_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.subjectVanguardismoes_ES
dc.subject.otherArte de las vanguardiases_ES
dc.subject.otherArte contemporaneoes_ES
dc.subject.otherEsteticaes_ES
dc.subject.otherArte y camuflajees_ES
dc.subject.otherArtes visualeses_ES
dc.subject.otherMimesises_ES
dc.titleCamouflage mimetico e il problema della rappresentazione pittorica / Mimetic Camouflage and the Problem of Pictorial Representationes_ES
dc.typeinfo:eu-repo/semantics/conferenceObjectes_ES
dc.centroFacultad de Filosofía y Letrases_ES
dc.relation.eventtitleWays of Representationes_ES
dc.relation.eventplaceFlorencia, Italiaes_ES
dc.relation.eventdatenoviembre 2015es_ES
dc.identifier.orcidhttp://orcid.org/0000-0002-0762-7004es_ES
dc.cclicenseby-nc-ndes_ES


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