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dc.contributor.authorMitchell, Kate
dc.date.accessioned2016-12-19T12:25:06Z
dc.date.available2016-12-19T12:25:06Z
dc.date.created2016
dc.date.issued2016-12-19
dc.identifier.urihttp://hdl.handle.net/10630/12606
dc.descriptionSeminario (1 hora de duración) impartido por la dra. Kate Mitchell (Australian National Unviersity)es_ES
dc.description.abstractThe extraordinary popularity of historical fiction shows no sign of abating. Historical novels have been attempted by most major contemporary novelists; they regularly top bestseller lists and win literary prizes; and the genre is also discussed by a range of scholars, who often distinguish between bodice-rippers, or ‘costume’ novels, and more serious, often revisionist, engagements with the past in fiction. What is the historical novel now? How does it draw on, revise, and extend examples from the 18th and 19th centuries? What role might it play in the telling of national histories and contested pasts? Drawing on examples from Australian and British fiction, this seminar will discuss the history of the historical novel, and consider specific debates that attach to the genre, particularly: who owns the past?es_ES
dc.description.sponsorshipUniversidad de Málaga. Campus de Excelencia Internacional Andalucía Tech.es_ES
dc.language.isoenges_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.subjectNovelaes_ES
dc.subject.otherHistorical noveles_ES
dc.titleReading, Writing, and Re-Visioning the Past: the historical novel in history. (Part I)es_ES
dc.typeinfo:eu-repo/semantics/conferenceObjectes_ES
dc.centroFacultad de Filosofía y Letrases_ES
dc.relation.eventtitleReading, Writing, and Re-Visioning the Past: the historical novel in history. (Part I)es_ES
dc.relation.eventplaceFacultad Filosofía y Letrases_ES
dc.relation.eventdate14-09-2016es_ES
dc.cclicenseby-nc-ndes_ES


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