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dc.contributor.advisorMuñoz Luna, Rosa
dc.contributor.advisorJurado Navas, Antonio
dc.contributor.authorPadial Garrido, Cristina Alba
dc.contributor.otherFilología Inglesa, Francesa y Alemanaes_ES
dc.date.accessioned2017-03-07T12:56:57Z
dc.date.available2017-03-07T12:56:57Z
dc.date.issued2016
dc.identifier.urihttp://hdl.handle.net/10630/13177
dc.description.abstractIberia by Isaac Albéniz is a piano masterpiece and a crucial piece in the Spanish musical panorama. In order to understand it and interpret it correctly, we need to analyse its historical context and the musical events that occurred during the life of Albéniz. Firstly, great changes in the Spanish musical scene during the second half of the 19th century (the debate for the creation of the National Opera, the Spanish Zarzuela, musical nationalism and the exaltation of popular music). Secondly, the separation between flamenco and folklore through the professionalisation of flamenco artists in the so-called café-cantantes. Finally, it is worth mentioning the French modernism that would accompany Albéniz in the change of the century. Being a formal musical composition, Iberia is impregnated with Spanish popular music elements recreated by the author. The main objective of this study is to identify those elements and then understand their process of elaboration.es_ES
dc.language.isospaes_ES
dc.publisherServicio de Publicaciones y Divulgación Científicaes_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.subjectAlbéniz, Isaac. Iberia - Crítica e interpretación - Tesis doctoraleses_ES
dc.subject.otherMúsicaes_ES
dc.subject.otherFolklorees_ES
dc.subject.otherFlamencoes_ES
dc.titleMúsica y polisemia. Folklore y Flamenco en Iberia de Albénizes_ES
dc.typeinfo:eu-repo/semantics/doctoralThesises_ES
dc.centroFacultad de Filosofía y Letrases_ES
dc.cclicenseby-nc-ndes_ES


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