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Grotesque and Scenography. Virtual reconstruction of anthropomorphic supports within the entry of Philip II in Antwerp (1549)
dc.contributor.author | González-Román, María del Carmen | |
dc.date.accessioned | 2018-10-26T10:30:26Z | |
dc.date.available | 2018-10-26T10:30:26Z | |
dc.date.created | 2018 | |
dc.date.issued | 2018-10-26 | |
dc.identifier.uri | https://hdl.handle.net/10630/16698 | |
dc.description.abstract | This paper aims to analyse the presence of a motif from the Flemish repertoire of the grotesque in the configuration of a unique type of anthropomorphic support used in the ephemeral architecture erected on Philip II of Spain’s entry into Antwerp in 1549. The support consists of a figure that, resembling an atlante or a caryatid, supports a cornice, but whose peculiarity is that the body is partially embedded in the surface of the façade, fulfilling a more decorative function than strictly tectonic. The development of this analysis is based on the concept of visual culture, but this approach also constitutes an attempt for developing a virtual reconstruction of this particular motif in its artistic context. | en_US |
dc.description.sponsorship | Universidad de Málaga. Campus de Excelencia Internacional andalucía Tech. | en_US |
dc.language.iso | eng | en_US |
dc.rights | info:eu-repo/semantics/openAccess | en_US |
dc.subject | Perspectiva | en_US |
dc.subject.other | Grotesque | en_US |
dc.subject.other | Scenography | en_US |
dc.subject.other | Virtual Reconstruccion | en_US |
dc.subject.other | Anthropomorphic supports | en_US |
dc.title | Grotesque and Scenography. Virtual reconstruction of anthropomorphic supports within the entry of Philip II in Antwerp (1549) | en_US |
dc.type | info:eu-repo/semantics/conferenceObject | en_US |
dc.centro | Facultad de Filosofía y Letras | en_US |
dc.relation.eventtitle | International Workshop: Digital Perspective. Relationships between Visual and Performing Arts. | en_US |
dc.relation.eventplace | Viena (Austria) | en_US |
dc.relation.eventdate | septiembre 2018 | en_US |