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dc.contributor.authorGonzalez-Roman, Maria del Carmen 
dc.date.accessioned2018-10-26T10:30:26Z
dc.date.available2018-10-26T10:30:26Z
dc.date.created2018
dc.date.issued2018-10-26
dc.identifier.urihttps://hdl.handle.net/10630/16698
dc.description.abstractThis paper aims to analyse the presence of a motif from the Flemish repertoire of the grotesque in the configuration of a unique type of anthropomorphic support used in the ephemeral architecture erected on Philip II of Spain’s entry into Antwerp in 1549. The support consists of a figure that, resembling an atlante or a caryatid, supports a cornice, but whose peculiarity is that the body is partially embedded in the surface of the façade, fulfilling a more decorative function than strictly tectonic. The development of this analysis is based on the concept of visual culture, but this approach also constitutes an attempt for developing a virtual reconstruction of this particular motif in its artistic context.en_US
dc.description.sponsorshipUniversidad de Málaga. Campus de Excelencia Internacional andalucía Tech.en_US
dc.language.isoengen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectPerspectivaen_US
dc.subject.otherGrotesqueen_US
dc.subject.otherScenographyen_US
dc.subject.otherVirtual Reconstruccionen_US
dc.subject.otherAnthropomorphic supportsen_US
dc.titleGrotesque and Scenography. Virtual reconstruction of anthropomorphic supports within the entry of Philip II in Antwerp (1549)en_US
dc.typeinfo:eu-repo/semantics/conferenceObjecten_US
dc.centroFacultad de Filosofía y Letrasen_US
dc.relation.eventtitleInternational Workshop: Digital Perspective. Relationships between Visual and Performing Arts.en_US
dc.relation.eventplaceViena (Austria)en_US
dc.relation.eventdateseptiembre 2018en_US


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