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dc.contributor.authorCuevas del Barrio, Javier
dc.date.accessioned2019-03-26T08:23:23Z
dc.date.available2019-03-26T08:23:23Z
dc.date.created2019-03-15
dc.date.issued2019-03-26
dc.identifier.urihttps://hdl.handle.net/10630/17468
dc.description.abstractThis paper proposes an epistemological approximation between the method of visual analysis developed by Aby Warburg in Atlas Mnemosyne, based on concepts such as Nachleben der Antike (the afterlife of Antiquity) and Pathosformel, (the “emotionally charged visual tropes”), and some aspects of the Queer Theory, in particular the concept of "emotional resistances" proposed by Eve Kosofsky Sedgwick with the intention of developing "reparative epistemologies".en_US
dc.description.sponsorshipUniversidad de Málaga. Campus de Excelencia Internacional Andalucía Tech.en_US
dc.language.isoengen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectTeoría Queeren_US
dc.subject.otherQueer Theoryen_US
dc.subject.otherEve Kosofsky Sedgwicken_US
dc.subject.otherAby Warburgen_US
dc.titleQueer Theory, Visual Culture, and Emotional Resistances in Torremolinos (Spain) during the Sixties and Seventies.en_US
dc.typeinfo:eu-repo/semantics/otheren_US
dc.centroFacultad de Filosofía y Letrasen_US
dc.relation.eventtitleCruising the 1970s: Imagining Queer Europeen_US
dc.relation.eventplaceThe University of Edinburgh. Edinburgh College of Art. Scotland.en_US
dc.relation.eventdateMarzo 2019en_US


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