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dc.contributor.authorCimadomo, Guido 
dc.date.accessioned2020-03-24T12:13:22Z
dc.date.available2020-03-24T12:13:22Z
dc.date.created2020
dc.date.issued2020-03-24
dc.identifier.urihttps://hdl.handle.net/10630/19436
dc.descriptionpost-refereed, pre-print version, de acuerdo con Book review guidelines. Publicado en: Religion and the Arts, 22(5) (2018), 695-697. DOI: https://doi.org/10.1163/15685292-02205014en_US
dc.description.abstractThe baroque period in Seville was a fertile field for the fine arts. Thanks to the royal decree awarding the city the monopoly of trade with the new world, Seville experienced the increasing importance that commerce and management of all the issues related to the colonies brought, and it became the biggest and most important city in Spain. These conditions motivated noble citizens and the Seville Cathedral chapter to commission artistic works for processions and masses to protect the city by strengthening the faith of its inhabitants. Artists like Juan de Mesa (1583-1627), Juan Martínez Montañes (1568-1649), Bartolomé Estéban Murillo (1617-1682), Juan de Valdés Leal (1622-1690), and Pedro Roldán (1624-1699), among many others, were the beneficiaries and developed their work in the city. The book by Amanda Wunder explores what she calls these medios divinos (divine methods), which at this time were widespread in the city, in the words of the author "as an authoritarian effort to preserve a conservative regime and divert the masses from their real problems". In contrast to medios humanos (human methods) for which the rulers of the city showed no great interest, these sacred artworks received enormous amounts of money to promote unity and civic identity around the creed. ...en_US
dc.language.isoengen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/*
dc.subjectArte barrocoen_US
dc.subject.otherSevilleen_US
dc.subject.otherSacred arten_US
dc.subject.otherMateo Vázquez de Lecaen_US
dc.subject.otherSanta Maria la Blancaen_US
dc.subject.otherSanta Caridaden_US
dc.subject.otherIglesia Salvadoren_US
dc.subject.otherBaroqueen_US
dc.subject.otherDivine methodsen_US
dc.subject.otherHuman methodsen_US
dc.titleWunder, Amanda. Baroque Seville: Sacred Art in a Century of Crisis. University Park, PA: Pennsylvania State University Press, 2017. Pp. xviii + 209 + 95 illustrations. $84.95, clothen_US
dc.typeinfo:eu-repo/semantics/preprinten_US
dc.typeinfo:eu-repo/semantics/reviewen_US
dc.centroE.T.S. de Arquitecturaen_US
dc.identifier.doihttps://doi.org/10.1163/15685292-02205014
dc.rights.ccAtribución-NoComercial-CompartirIgual 4.0 Internacional*


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