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dc.contributor.authorMuñoz-Jiménez, José Antonio 
dc.date.accessioned2024-02-09T12:13:42Z
dc.date.available2024-02-09T12:13:42Z
dc.date.issued2018
dc.identifier.citationMuñoz Jiménez, José (2018). Creación audiovisual en los escenarios de la violencia. En Avanca Cinema 2018. Ediçöes Cine-Clube de Avanca, 80–88.es_ES
dc.identifier.issn2184-0520
dc.identifier.otherhttps://drive.google.com/file/d/1Fy1LYbG89cWKl6tGB7WQUyh2dsLcRFVB/view
dc.identifier.urihttps://hdl.handle.net/10630/30294
dc.descriptionVisitar página web: https://drive.google.com/file/d/1Fy1LYbG89cWKl6tGB7WQUyh2dsLcRFVB/view No se ha conseguido permiso por parte de la editoriales_ES
dc.description.abstractThe worldwide projection and recognition of the poet Federico García Lorca, as well as the magnitude and violence of his murder in August 1936 during the early days of the Spanish Civil War, marked a post-war period in his native city of Granada. When the city fell under the control of the coup d'état just two days after the national uprising, it led to an increased focus on the natural spot where the poet is allegedly buried, along with many others who were shot at that time. This area has seen a greater number of research studies and literature compared to other places in the Spanish geography. However, this fact has contributed to the rise of a certain fiction and confusion regarding the location of García Lorca's physical remains. Recent events have demonstrated that the search has divided the population of Granada. Since the first excavation was authorized in the place where the most reliable investigations of the moment indicated that his remains would likely be, the magical aspects related to the supposed site have only increased. This has also served to give greater credibility to other lines of investigation not contemplated until then by relying on information provided by the military coup leaders responsible for these murders. This physical space, rich in memory, is the center of numerous interventions, more or less successful, with a high emotional load that reflects the identities that this article aims to make visible.es_ES
dc.description.sponsorshipAvanca Cinema International Conferencees_ES
dc.language.isospaes_ES
dc.publisherCine-Clube de Avancaes_ES
dc.rightsinfo:eu-repo/semantics/closedAccesses_ES
dc.subjectGranada - Fotografíases_ES
dc.subject.otherRephotographyes_ES
dc.subject.otherPolitical Memoryes_ES
dc.subject.otherGrenadees_ES
dc.subject.otherSpanish Civil Wares_ES
dc.subject.otherFederico García Lorcaes_ES
dc.titleCreación audiovisual en los escenarios de la violenciaes_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.centroFacultad de Ciencias de la Comunicaciónes_ES
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersiones_ES


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