The main aim of this essay is to assess the impact of Oscar Wilde’s trials on neo-Victorian representations of same-sex desire between men. Throughout the text, I argue that the consequences of Wilde’s imprisonment have become a haunting presence that still pervades how male sexual dissidence is represented in neo-Victorian novels. The works examined in this essay are therefore considered differently than those which portray sapphic relationships or other forms of non-heterosexual desires. Ultimately, I argue that a new trend within neo-Victorianism, in which fantasy elements are intertwined with queer desire among men, could offer a new way of portraying same-sex desire between men; this new portrayal could be more in compliance with the political, cultural, and social agenda of neo-Victorianism. Through a brief analysis of Natasha Pulley’s The Watchmaker of Filigree Street and a more in-depth exploration of Freya Marske’s A Marvellous Light, I conclude that fantasy may—if the writer wishes it—allow a portrayal of queer desire that overcomes many of the traumatising and haunting obstacles which resulted from Wilde’s plight.
