The paper addresses E.M. Forster's encounter with John Addington Symonds' unfinished memoirs. This encounter is regarded through the theoretical concepts of “Orientation” and “Recognition”, analysing how they might contribute to a better understanding of the processes through which queer historiographies are produced. These historiographies, whose genealogies are an important part of my wider PhD thesis, have played a crucial role in the development of both LGBTQ+ identities and of queer criticism at large.