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dc.contributor.authorCabezas-Jiménez, María del Mar 
dc.date.accessioned2013-11-08T10:24:37Z
dc.date.available2013-11-08T10:24:37Z
dc.date.issued2013-11-08
dc.identifier.urihttp://hdl.handle.net/10630/6394
dc.description.abstractJust as the linguistic sign, defined by Saussure, is like a double-sided coin: significant + meaning, so the city can be defined by this dichotomy, that is, on the one hand is composed of matter and, second, to function or content. We travel the city as the baudelairean flâneur as untimely affiliates walkers to the Situationist International, and so we wear away the tread on the asphalt. Politics, associations and media are responsible for our public space is constantly bombarded by private interests with the consequent impact on the development of citizen relations in semi-privatized public space. The Art brings significant strategies of non-urban places and does so through the Public Art as artistic intervention appropriation of public space by the affirmation of ordinary citizens living there, i.e. by an art to the city and citizenship. Exploring the current state of the contemporary city gives us the framework to review part of urban artistic poetics emerged in recent decades.es_ES
dc.description.sponsorshipUniversidad de Málaga. Campus de Excelencia Internacional Andalucía Tech.es_ES
dc.language.isoenges_ES
dc.rightsinfo:eu-repo/semantics/openAccess
dc.subjectAntropologíaes_ES
dc.subjectArtees_ES
dc.subject.otherCityes_ES
dc.subject.otherAnthropologyes_ES
dc.subject.otherArtes_ES
dc.subject.otherPoliticses_ES
dc.titleUrban sign. The polis furnishedes_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.relation.eventtitleFine art practice, research and education across Europees_ES
dc.relation.eventplaceGranada, Spaines_ES
dc.relation.eventdate12/09/2013es_ES
dc.type.hasVersioninfo:eu-repo/semantics/submittedVersiones_ES


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