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dc.contributor.authorGirona, Ramón
dc.contributor.authorXifra, Jordi
dc.date.accessioned2014-07-25T07:23:50Z
dc.date.available2014-07-25T07:23:50Z
dc.date.issued2014-05-30
dc.identifier.issn2174-3681
dc.identifier.urihttp://hdl.handle.net/10630/7925
dc.description.abstractThe aim of this article is to analyze Louis de Rochemont’s The Ramparts We Watch as a public relations war effort from the past century. Arising from the informative and propagandistic strategy of late 1930s newsreels, the aforementioned documentary was made using very appropriate narrative techniques to award it the dimension of objectivity and truthfulness characteristic of public relations messages, without losing sight of its educational and persuasive function. From this standpoint, The Ramparts We Watch founded a genre and constituted one of the clearest precedents of public relations war films in America.es_ES
dc.language.isoenges_ES
dc.publisherInstituto de Investigación en Relaciones Públicases_ES
dc.relation.ispartofseriesRevista Internacional de Relaciones Públicas;Vol. IV Nº 7
dc.rightsinfo:eu-repo/semantics/openAccess
dc.subjectComunicación en políticaes_ES
dc.subjectRelaciones Públicases_ES
dc.subject.otherPropagandaes_ES
dc.subject.otherNoticiarios cinematográficoses_ES
dc.titleThe Ramparts We Watch: film documentary discourse in the field of Public Relationses_ES
dc.title.alternativeThe Ramparts We Watch: el discurso del cine documental en el campo de las Relaciones Públicases_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.centroFacultad de Ciencias de la Comunicaciónes_ES


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