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dc.contributor.authorCruz-Rus, Celia
dc.date.accessioned2015-04-22T10:18:47Z
dc.date.available2015-04-22T10:18:47Z
dc.date.created2015-02-24
dc.date.issued2015-04-22
dc.identifier.urihttp://hdl.handle.net/10630/9679
dc.description.abstractWhereas, in literature a stream of recent bio-fictions have focused their efforts on resurrecting great Edwardian authors, the first season of Mr Selfridge (2013), based on Lindy Woodhead’s biography Shopping, Seduction & Mr Selfridge (2007), features a capitalist hero and constitutes an intriguing object of study which connects the present context with the history of England and of costume drama itself. Consequently, this paper will analyse the series in terms of how it relates to and differs from other representations of Edwardian characters, in an attempt to explore what the impulse lying behind Mr Selfridge’s filmic return could be.es_ES
dc.description.sponsorshipUniversidad de Málaga. Campus de Excelencia Internacional Andalucía Tech.es_ES
dc.language.isoenges_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.subjectCinees_ES
dc.subjectBiografíaes_ES
dc.subject.otherBiopices_ES
dc.subject.otherNeo-Edwardianes_ES
dc.subject.otherShoppinges_ES
dc.subject.otherFilm studieses_ES
dc.subject.otherLiteraturees_ES
dc.titleDisplaying Mr Selfridgees_ES
dc.typeinfo:eu-repo/semantics/conferenceObjectes_ES
dc.centroFacultad de Filosofía y Letrases_ES
dc.relation.eventtitleBiopic Adaptations Conferencees_ES
dc.relation.eventplaceDe Montfort University (Leicester)es_ES
dc.relation.eventdateFebrero 2015es_ES
dc.identifier.orcidhttp://orcid.org/0000-0003-4933-7539es_ES


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