There's no woods left: The Progression of Hope in William Di Canzio's Alec (2021) and E.M. Forster's Maurice (1971).
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Taylor & Francis
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This paper explores the intricate connections between William di Canzio's *Alec* and E.M. Forster's *Maurice*, particularly how both texts represent hope in queer experiences. By applying Sara Ahmed's theory of queer phenomenology and Rita Felski's concept of 'recognition', it articulates queer hope as a dynamic notion that transcends traditional happy endings, shedding light on the ongoing struggles and aspirations of LGBTQIA+ individuals across time.
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Manuel Hueso-Vasallo (2026) ‘There’s no woods left’: the progression of hope in William di Canzio’s Alec (2021) and E.M. Forster’s Maurice (1914/71), Cogent Arts & Humanities, 13:1, 2641243, DOI: 10.1080/23311983.2026.2641243
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Except where otherwised noted, this item's license is described as Attribution 4.0 International







