There's no woods left: The Progression of Hope in William Di Canzio's Alec (2021) and E.M. Forster's Maurice (1971).

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dc.centroFacultad de Filosofía y Letras
dc.contributor.authorHueso-Vasallo, Manuel
dc.date.accessioned2026-03-10T10:20:47Z
dc.date.issued2026-03-05
dc.departamentoFilología Inglesa, Francesa y Alemana
dc.description.abstractThis paper explores the intricate connections between William di Canzio's *Alec* and E.M. Forster's *Maurice*, particularly how both texts represent hope in queer experiences. By applying Sara Ahmed's theory of queer phenomenology and Rita Felski's concept of 'recognition', it articulates queer hope as a dynamic notion that transcends traditional happy endings, shedding light on the ongoing struggles and aspirations of LGBTQIA+ individuals across time.
dc.identifier.citationManuel Hueso-Vasallo (2026) ‘There’s no woods left’: the progression of hope in William di Canzio’s Alec (2021) and E.M. Forster’s Maurice (1914/71), Cogent Arts & Humanities, 13:1, 2641243, DOI: 10.1080/23311983.2026.2641243
dc.identifier.doi10.1080/23311983.2026.2641243
dc.identifier.urihttps://hdl.handle.net/10630/45987
dc.language.isoeng
dc.publisherTaylor & Francis
dc.rightsAttribution 4.0 Internationalen
dc.rights.accessRightsopen access
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.subjectForster, E.M.- Crítica e interpretación
dc.subjectTeoría queer
dc.subject.otherE.M. Forster
dc.subject.otherLGBTQ+ literature
dc.subject.otherContemporary fiction
dc.subject.otherQueer studies
dc.titleThere's no woods left: The Progression of Hope in William Di Canzio's Alec (2021) and E.M. Forster's Maurice (1971).
dc.typejournal article
dc.type.hasVersionVoR
dspace.entity.typePublication

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